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Classical concerts featuring
Andreas Timm

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Upcoming Concerts

Concerts featuring Andreas Timm in season 2024/25 or later

January 30, 2025
Artistic depiction of the event

Sheku Kanneh-Mason & Cellist*innen des Konzerthausorchesters

Thu, Jan 30, 2025, 20:00
Konzerthaus Berlin, Kleiner Saal (Berlin)
Sheku Kanneh-Mason (Cello), Friedemann Ludwig (Cello), Andreas Timm (Cello), Taneli Turunen (Cello), Viola Bayer (Cello), Alexander Kahl (Cello), Nerina Mancini (Cello), Jae Won Song (Cello), Hyejin Kim (Cello), Fabian Sturm (Cello)
What's even more beautiful than a cello? Ten cellos! Chamber music is one of the great joys of life for our orchestra musicians. Here, seven members of our cello group and our orchestra academy come together with their colleague Sheku Kanneh-Mason, who is our current artist in residence, for a musically diverse programme.
February 13, 2025
Artistic depiction of the event

Dichterliebe recomposed

Thu, Feb 13, 2025, 20:00
Konzerthaus Berlin, Werner-Otto-Saal (Berlin)
Horenstein Ensemble, Edgaras Montvidas (Tenor), Yuan Yu (Flute), Johanna Pichlmair (Violin), Jana Krämer-Forster (Violin), Matthias Benker (Viola), Andreas Timm (Cello), Ralf Forster (Clarinet), Ronith Mues (Harp), Jan Westermann (Percussion), Michal Friedlander (Piano), Katrin Bethge (Projections), Christian Jost (Conductor)
Love, loneliness and human finiteness: eternal themes run through the 16 songs of Robert Schumann's famous ‘Dichterliebe’ (Poet's Love) on poems by Heinrich Heine in a seemingly harmless folk song tone. In a double sense, everything is in flux here: the inner life of the protagonist, who vacillates between pain, doubt and happiness, and the mythical world of the past - symbolised by the Rhine, which winds its way through several verses. Composer Christian Jost took a close look at the work and embedded it in a completely newly composed soundscape. The harmonies and the spirit of Schumann are preserved, space and time are dissolved: ‘With Schumann and Heine, each individual song is self-contained. Each one is a frozen memory, the atmospheric condensation of a journey into the inner life of its protagonist, whose spiritual landscape unfolds before us piece by piece. In my work, the 16 songs of the cycle appear like islands, surrounded by the sounds and harmonies of which they are the nucleus and inspiration.’ Christian Jost does not tell a chronological story in his work. Supported by the projections of Katrin Bethge, individual windows into the human soul open up again and again in surprising ways. The Horenstein Ensemble already performed the world premiere in 2017.